Over on the Kirby Museum homepage, there’s a great article by Craig Fischer about the concept of “focalization” and Kirby’s narrative techniques. Click through for the full read!
“On the next page, however, the riders suddenly explode into our attention. Kirby draws them bounding through the air, one rider in a particularly extreme close-up at the bottom of page three. In this composition, Kamandi and Flower are presented as more distant figures—we now see them from above, and we’re further away from them—as they swerve their vehicle to avoid hitting the cyclists.”
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